Art poems

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Cooper's Hill (1655)

© Sir John Denham

Sure there are poets which did never dreamUpon Parnassus, nor did taste the streamOf Helicon, we therefore may supposeThose made not poets, but the poets those

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Cooper's Hill (1642)

© Sir John Denham

Sure we have poets that did never dreamUpon Parnassus, nor did taste the streamOf Helicon, and therefore I supposeThose made not poets, but the poets those

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The Elephant Lady's Drawings

© Currin Jen

We came out of the gardenand there were brides in the trees.You faked a birdsong.I had something to say to your motherbut the ancestors are as inconsiderateas they are deaf.

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The Task: from Book IV: The Winter Evening

© William Cowper

Hark! 'tis the twanging horn! O'er yonder bridge,That with its wearisome but needful lengthBestrides the wintry flood, in which the moonSees her unwrinkled face reflected bright,He comes, the herald of a noisy world,With spatter'd boots, strapp'd waist, and frozen locks;News from all nations lumb'ring at his back

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Lyrical Ballads (1798)

© William Wordsworth

LYRICAL BALLADS,WITHA FEW OTHER POEMS.

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Watercolour for Negro Expatriates in France

© Clarke George Elliott

What are calendars to you?And, indeed, what are atlases? Time is cool jazz in Bretagne,you, hidden in berets or eccentric scarves,somewhere over the rainbow

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The Wife of Bath's Prologue and Tale in the Hengwrt Manuscript of the Canterbury Tales

© Geoffrey Chaucer

{{Folio 58r}}¶Here bigynneth the prologe of the taleof the Wyf of BatheEXperience / thogh noon AuctoriteeWere in this world / is right ynogh for meTo speke of wo / that is in mariageffor lordynges / sith
þt
I twelf yeer was of ageThonked be god / that is eterne on lyueHou{s}bondes atte chirche dore / I haue had fyueIf I so ofte / myghte han wedded beAnd alle were worthy men / in hir degreeBut me was told certeyn / noght longe agon isThat sith
þt

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The Pardoner's Introduction, Prologue, and Tale in the Hengwrt Manuscript of the Canterbury Tales

© Geoffrey Chaucer

{{Folio 195r}}¶The myry talkyng/ of the hoo{s}t/ to the Phi{s}cienOure hoo{s}t gan to swere / as he were woodHarrow quod he / by nayles and by bloodThis was a fals cherl / and a fals Iu{s}ti{s}eAs shameful deeth / as herte may deuy{s}eCome to thi{s}e Iuges / and hir aduocatzAlgate this sely mayde / is slayn allasAllas / to deere boghte she beauteeWherfore I seye alday /
þt
men may {s}eThat yiftes of ffortune / and of natureBeen cau{s}e of deeth / to many a creatureOf bothe yiftes /
þt

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The Miller's Prologue and Tale from the Hengwrt Manuscript of the Canterbury Tales

© Geoffrey Chaucer

{{Folio 41r}}¶The prologe of the Milleres taleWHan that the knyght/ hadde thus his tale ytooldIn al the compaignie / nas ther yong ne ooldThat he ne seyde / it was a noble StorieAnd worthy / for to drawen to memorieAnd namely / the gentils euerichon¶Oure hoo{s}t lough / and swoor / {s}o moot I gonThis gooth aright/ vnbokeled is the maleLat se now / who shal telle another taleffor trewely / the game is wel bigonneNow telleth ye sire Monk / if
þt
ye konneSom what / to quite with the knyghtes tale¶The Millere / that for dronken was a paleSo that vnnethe / vp on his hors he satHe nolde aualen / neither hood ne hatNe abiden no man / for his curtei{s}yeBut in Pilates voys / he gan to cryeAnd swoor by armes / and by blood and bonesI kan a noble tale / for the nonesWith which / I wol now quite the knyghtes tale¶Oure hoo{s}t saugh /
þt

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The General Prologue from the Hengwrt Manuscript of the Canterbury Tales

© Geoffrey Chaucer

{{Folio 2r}}Here bygynneth the Book{/} of the tales of Can
ter
buryWhan that Aueryll
with

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The Friar's Prologue and Tale in the Hengwrt Manuscript of the Canterbury Tales

© Geoffrey Chaucer

{{Folio 73v}}¶The prologe of the ffreres tale This worthy lymytour / this noble frere He made alwey / a manere louryng cheere Vp on the Somnour / but for hone{s}tee No vileyns word / as yet to hym spak he But atte la{s}te / he seyde vn to the wyf ¶ Dame quod he god yeue yow right good lyf Ye han heer touched / al {s}o mote I thee In scole matere / greet difficultee Ye han seyd muche thyng/ right wel I seye But dame / here as we ryden by the weye Vs nedeth nat/ to speken / but of game And lete Auctoritees / on goddes name To prechyng/ and to scole of clergye But/ if it like / to this compaignye I wol yow / of a Somnour telle a game Pardee / ye may wel knowe by the name That of a Somn
our
/ may no good be {s}ayd I praye / that noon of yow / be ypayd A somnour / is a rennere vp and doun With mandementz / for fornicacioun And is ybet/ at euery townes ende ¶ Oure hoo{s}t tho spak / a sire ye sholde be hende{{Folio 74r}} And curteys / as a man of youre e{s}taat/ In compaignye / we wol no debaat/ Telleth youre tale / and lat the Somn
our

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An Elegy upon the Death of the Dean of St. Paul's, Dr. John Donne

© Thomas Carew

Can we not force from widow'd poetry,Now thou art dead (great Donne) one elegyTo crown thy hearse? Why yet dare we not trust,Though with unkneaded dough-bak'd prose, thy dust,Such as th' unscissor'd churchman from the flowerOf fading rhetoric, short-liv'd as his hour,Dry as the sand that measures it, should layUpon thy ashes, on the funeral day?Have we no voice, no tune? Didst thou dispenseThrough all our language, both the words and sense?'Tis a sad truth

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Who Killed John Keats?

© George Gordon Byron

Are you aware that Shelley has written an elegy on Keats--and accuses the Quarterly of killing him?--

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Manfred: Incantation

© George Gordon Byron

When the moon is on the wave, And the glow-worm in the grass,And the meteor on the grave, And the wisp on the morass;When the falling stars are shooting,And the answer'd owls are hooting,And the silent leaves are stillIn the shadow of the hill,Shall my soul be upon thine,With a power and with a sign

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Lara: Canto the First

© George Gordon Byron

XVIIMuch to be lov'd and hated, sought and fear'd

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Childe Harold's Pilgrimage: Canto the Fourth

© George Gordon Byron

I A palace and a prison on each hand: I saw from out the wave her structures rise As from the stroke of the enchanter's wand: A thousand years their cloudy wings expand Around me, and a dying Glory smiles O'er the far times, when many a subject land Look'd to the winged Lion's marble piles,Where Venice sate in state, thron'd on her hundred isles!

II Rising with her tiara of proud towers At airy distance, with majestic motion, A ruler of the waters and their powers: And such she was; her daughters had their dowers From spoils of nations, and the exhaustless East Pour'd in her lap all gems in sparkling showers

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Hudibras: Part I

© Samuel Butler

THE ARGUMENT OF THE FIRST CANTO