Time poems

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Self-Portrait in a Convex Mirror

© John Ashbery

As Parmigianino did it, the right hand
Bigger than the head, thrust at the viewer
And swerving easily away, as though to protect
What it advertises. A few leaded panes, old beams,

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My Philosophy of Life

© John Ashbery

Just when I thought there wasn't room enough
for another thought in my head, I had this great idea--
call it a philosophy of life, if you will.Briefly,
it involved living the way philosophers live,
according to a set of principles. OK, but which ones?

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Just Walking Around

© John Ashbery

What name do I have for you?
Certainly there is not name for you
In the sense that the stars have names
That somehow fit them. Just walking around,

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Into the Dusk-Charged Air

© John Ashbery

Birds circle the Ticino. In winter
The Var was dark blue, unfrozen. The
Thwaite, cold, is choked with sandy ice;
The Ardèche glistens feebly through the freezing rain.

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For John Clare

© John Ashbery

Kind of empty in the way it sees everything, the earth gets to its feet andsalutes the sky. More of a success at it this time than most others it is. The feeling that the sky might be in the back of someone's mind. Then there is no telling how many there are. They grace everything--bush and tree--to take the roisterer's mind off his caroling--so it's like a smooth switch back. To what was aired in their previous conniption fit. There is so much to be seen everywhere that it's like not getting used to it, only there is so much it never feels new, never any different. You are standing looking at that building and you cannot take it all in, certain details are already hazy and the mind boggles. What will it all be like in five years' time when you try to remember? Will there have been boards in between the grass part and the edge of the street? As long as that couple is stopping to look in that window over there we cannot go. We feel like they have to tell us we can, but they never look our way and they are already gone, gone far into the future--the night of time. If we could look at a photograph of it and say there they are, they never really stopped but there they are. There is so much to be said, and on the surface of it very little gets said.
There ought to be room for more things, for a spreading out, like. Being immersed in the details of rock and field and slope --letting them come to you for once, and then meeting them halfway would be so much easier--if they took an ingenuous pride in being in one's blood. Alas, we perceive them if at all as those things that were meant to be put aside-- costumes of the supporting actors or voice trilling at the end of a narrow enclosed street. You can do nothing with them. Not even offer to pay.
It is possible that finally, like coming to the end of a long, barely perceptible rise, there is mutual cohesion and interaction. The whole scene is fixed in your mind, the music all present, as though you could see each note as well as hear it. I say this because there is an uneasiness in things just now. Waiting for something to be over before you are forced to notice it. The pollarded trees scarcely bucking the wind--and yet it's keen, it makes you fall over. Clabbered sky. Seasons that pass with a rush. After all it's their time too--nothing says they aren't to make something of it. As for Jenny Wren, she cares, hopping about on her little twig like she was tryin' to tell us somethin', but that's just it, she couldn't even if she wanted to--dumb bird. But the others--and they in some way must know too--it would never occur to them to want to, even if they could take the first step of the terrible journey toward feeling somebody should act, that ends in utter confusion and hopelessness, east of the sun and west of the moon. So their comment is: "No comment." Meanwhile the whole history of probabilities is coming to life, starting in the upper left-hand corner, like a sail.

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Daffy Duck In Hollywood

© John Ashbery

Something strange is creeping across me.
La Celestina has only to warble the first few bars
Of "I Thought about You" or something mellow from
Amadigi di Gaula for everything--a mint-condition can

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Where Shall We Go?

© Vernon Scannell

Waiting for her in the usual bar
He finds she's late again.
Impatience frets at him,
But not the fearful, half-sweet pain he knew
So long ago.

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Elizabeth Leaves A Letter For Dr. Frankenstein

© Jennifer Reeser

Whether the clouds had abandoned Geneva that evening
no one can say now, but what I remember are roses
bruised at their edges, and china cups yellowed with age.
“I am too sick of interior vapors,” I told you,

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Civic Centre (for Kathryn)

© Jennifer Reeser

And everywhere, the audience defies
convention and conformity, some dressed
as though they had been made to improvise
at the last minute, some in black-tie best.

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Blue-Crested Cry

© Jennifer Reeser

We’re through, we’re through, we’re through, we’re through, we’re through
and – flanking, now, the edges of our schism –
it seems your coldness and my idealism
alone for all this time have kept us true.

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Life

© Marvin Bell

I leave the office, take the stairs,
in time to mail a letter
before 3 in the afternoon--the last dispatch.
The red, white and blue air mail

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He Said To

© Marvin Bell

crawl toward the machine guns
except to freeze
for explosions and flares.
It was still ninety degrees

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The Return of Persephone

© Alec Derwent Hope

Gliding through the still air, he made no sound;
Wing-shod and deft, dropped almost at her feet,
And searched the ghostly regiments and found
The living eyes, the tremor of breath, the beat
Of blood in all that bodiless underground.

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The Pleasure of Princes

© Alec Derwent Hope

What pleasures have great princes? These: to know
Themselves reputed mad with pride or power;
To speak few words -- few words and short bring low
This ancient house, that city with flame devour;

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Phallus

© Alec Derwent Hope

This was the gods' god,
The leashed divinity,
Divine divining rod
And Me within the me.

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Observation Car

© Alec Derwent Hope

To be put on the train and kissed and given my ticket,
Then the station slid backward, the shops and the neon lighting,
Reeling off in a drunken blur, with a whole pound note in my pocket
And the holiday packed with Perhaps. It used to be very exciting.

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Morning Coffee

© Alec Derwent Hope

Reading the menu at the morning service:
- Iced Venusberg perhaps, or buttered bum -
Orders the usual sex-ersatz, and, nervous,
Glances around - Will she or won't she come?

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Crossing the Frontier

© Alec Derwent Hope

Crossing the frontier they were stopped in time,
Told, quite politely, they would have to wait:
Passports in order, nothing to declare
And surely holding hands was not a crime
Until they saw how, ranged across the gate,
All their most formidable friends were there.

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Conquistador

© Alec Derwent Hope

I sing of the decline of Henry Clay
Who loved a white girl of uncommon size.
Although a small man in a little way,
He had in him some seed of enterprise.

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Commination

© Alec Derwent Hope

Like John on Patmos, brooding on the Four
Last Things, I meditate the ruin of friends
Whose loss, Lord, brings this grand new curse to mind
Now send me foes worth cursing, or send more
- Since means should be proportionate to ends -
For mine are few and of the piddling kind: