Behind The Arras

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I like the old house tolerably well,
 Where I must dwell
 Like a familiar gnome;
 And yet I never shall feel quite at home.
 I love to roam.
 Day after day I loiter and explore
 From door to door;
 So many treasures lure
 The curious mind. What histories obscure
  They must immure!

  I hardly know which room I care for best;
  This fronting west,
  With the strange hills in view,
  Where the great sun goes,—where I may go too,
  When my lease is through,—

  Or this one for the morning and the east,
  Where a man may feast
  His eyes on looming sails,
  And be the first to catch their foreign hails
  Or spy their bales

  Then the pale summer twilights towards the pole!
  It thrills my soul
  With wonder and delight,
  When gold-green shadows walk the world at night,
  So still, so bright.

  There at the window many a time of year,
  Strange faces peer,
  Solemn though not unkind,
  Their wits in search of something left behind
  Time out of mind;

  As if they once had lived here, and stole back
  To the window crack
  For a peep which seems to say,
  "Good fortune, brother, in your house of clay!"
  And then, "Good day!"

  I hear their footsteps on the gravel walk,
  Their scraps of talk,
  And hurrying after, reach
  Only the crazy sea-drone of the beach
  In endless speech.

  And often when the autumn noons are still,
  By swale and hill
  I see their gipsy signs,
  Trespassing somewhere on my border lines;
  With what designs?

  I forth afoot; but when I reach the place,
  Hardly a trace,
  Save the soft purple haze
  Of smouldering camp-fires, any hint betrays
  Who went these ways.

  Or tatters of pale aster blue, descried
  By the roadside,
  Reveal whither they fled;
  Or the swamp maples, here and there a shred
  Of Indian red.

  But most of all, the marvellous tapestry
  Engrosses me,
  Where such strange things are rife,
  Fancies of beasts and flowers, and love and strife,
  Woven to the life;

  Degraded shapes and splendid seraph forms,
  And teeming swarms
  Of creatures gauzy dim
  That cloud the dusk, and painted fish that swim,
  At the weaver's whim;

  And wonderful birds that wheel and hang in the air;
  And beings with hair,
  And moving eyes in the face,
  And white bone teeth and hideous grins, who race
  From place to place;

  They build great temples to their John-a-nod,
  And fume and plod
  To deck themselves with gold,
  And paint themselves like chattels to be sold,
  Then turn to mould.

  Sometimes they seem almost as real as I;
  I hear them sigh;
  I see them bow with grief,
  Or dance for joy like any aspen leaf;
  But that is brief.

  They have mad wars and phantom marriages;
  Nor seem to guess
  There are dimensions still,
  Beyond thought's reach, though not beyond love's will,
  For soul to fill.

  And some I call my friends, and make believe
  Their spirits grieve,
  Brood, and rejoice with mine;
  I talk to them in phrases quaint and fine
  Over the wine;

  I tell them all my secrets; touch their hands;
  One understands
  Perhaps. How hard he tries
  To speak! And yet those glorious mild eyes,
  His best replies!

  I even have my cronies, one or two,
  My cherished few.
  But ah, they do not stay!
  For the sun fades them and they pass away,
  As I grow gray.


  Yet while they last how actual they seem!
  Their faces beam;
  I give them all their names,
  Bertram and Gilbert, Louis, Frank and James,
  Each with his aims;


  One thinks he is a poet, and writes verse
  His friends rehearse;
 Another is full of law;
  A third sees pictures which his hand can draw
  Without a flaw.


  Strangest of all, they never rest. Day long
  They shift and throng,
  Moved by invisible will,
  Like a great breath which puffs across my sill,
  And then is still;


  It shakes my lovely manikins on the wall;
  Squall after squall,
  Gust upon crowding gust,
  It sweeps them willy nilly like blown dust
  With glory or lust.


  It is the world-ghost, the time-spirit, come
  None knows wherefrom,
  The viewless draughty tide
  And wash of being. I hear it yaw and glide,
  And then subside,


  Along these ghostly corridors and halls
  Like faint footfalls;
  The hangings stir in the air;
  And when I start and challenge, "Who goes there?"
  It answers, "Where?"


  The wail and sob and moan of the sea's dirge,
  Its plangor and surge;
  The awful biting sough
  Of drifted snows along some arctic bluff,
  That veer and luff,


  And have the vacant boding human cry,
  As they go by;—
  Is it a banished soul
  Dredging the dark like a distracted mole
  Under a knoll?


  Like some invisible henchman old and gray,
  Day after day
  I hear it come and go,
  With stealthy swift unmeaning to and fro,
  Muttering low,


  Ceaseless and daft and terrible and blind,
  Like a lost mind.
  I often chill with fear
  When I bethink me, What if it should peer
  At my shoulder here!


  Perchance he drives the merry-go-rou nd whose track
  Is the zodiac;
  His name is No-man's-fri end;
  And his gabbling parrot-talk has neither trend,
  Beginning, nor end.


  A prince of madness too, I'd cry, "A rat!"
  And lunge thereat,—
  Let out at one swift thrust
  The cunning arch-delusio n of the dust
  I so mistrust,


  But that I fear I should disclose a face
  Wearing the trace
  Of my own human guise,
  Piteous, unharmful, loving, sad, and wise
  With the speaking eyes.


  I would the house were rid of his grim pranks,
  Moaning from banks
  Of pine trees in the moon,
  Startling the silence like a demoniac loon
  At dead of noon.


  Or whispering his fool-talk to the leaves
  About my eaves.
  And yet how can I know
  'T is not a happy Ariel masking so
  In mocking woe?


  Then with a little broken laugh I say,
  Snatching away
  The curtain where he grinned
  (My feverish sight thought) like a sin unsinned,
  "Only the wind!"


  Yet often too he steals so softly by.
  With half a sigh,
  I deem he must be mild,
  Fair as a woman, gentle as a child,
  And forest wild.


  Passing the door where an old wind-harp swings,
  With its five strings,
  Contrived long years ago
  By my first predecessor bent to show
  His handcraft so,


  He lay his fingers on the aeolian wire,
  As a core of fire
  Is laid upon the blast
  To kindle and glow and fill the purple vast
  Of dark at last.


  Weird wise, and low, piercing and keen and glad,
  Or dim and sad
  As a forgotten strain
  Born when the broken legions of the rain
  Swept through the plain—


  He plays, like some dread veiled mysteriarch,
  Lighting the dark,
  Bidding the spring grow warm,
  The gendering merge and loosing of spirit in form,
  Peace out of storm.


  For music is the sacrament of love;
  He broods above
  The virgin silence, till
  She yields for rapture shuddering, yearning still
  To his sweet will.


  I hear him sing, "Your harp is like a mesh,
  Woven of flesh
  And spread within the shoal
  Of life, where runs the tide-race of the soul
  In my control.


  "Though my wild way may ruin what it bends,
  It makes amends
  To the frail downy clocks,
  Telling their seed a secret that unlocks
  The granite rocks.


  "The womb of silence to the crave of sound
  Is heaven unfound,
  Till I, to soothe and slake
  Being's most utter and imperious ache,
  Bid rhythm awake.


  "If with such agonies of bliss, my kin,
  I enter in
  Your prison house of sense,
  With what a joyous freed intelligence
  I shall go hence."


  I need no more to guess the weaver's name,
  Nor ask his aim,
  Who hung each hall and room
  With swarthy-ting ed vermilion upon gloom;
  I know that loom.


  Give me a little space and time enough,
  From ravelings rough
  I could revive, reweave,
  A fabric of beauty art might well believe
  Were past retrieve.


  O men and women in that rich design,
  Sleep-soft, sun-fine,
  Dew-tenuous and free,
  A tone of the infinite wind-themes of the sea,
  Borne in to me,


  Reveals how you were woven to the might
  Of shadow and light.
  You are the dream of One
  Who loves to haunt and yet appears to shun
  My door in the sun;


  As the white roving sea tern fleck and skim
  The morning's rim;
  Or the dark thrushes clear
  Their flutes of music leisurely and sheer,
  Then hush to hear.


  I know him when the last red brands of day
  Smoulder away,
  And when the vernal showers
  Bring back the heart to all my valley flowers
  In the soft hours.


  O hand of mine and brain of mine, be yours,
  While time endures,
  To acquiesce and learn!
  For what we best may dare and drudge and yearn,
  Let soul discern.


  So, fellows, we shall reach the gusty gate,
  Early or late,
  And part without remorse,
  A cadence dying down unto its source
  In music's course;


  You to the perfect rhythms of flowers and birds,
  Colors and words,
  The heart-beats of the earth,
  To be remoulded always of one worth
  From birth to birth;


  I to the broken rhythm of thought and man,
  The sweep and span
  Of memory and hope
  About the orbit where they still must grope
  For wider scope,


  To be through thousand springs restored, renewed,
  With love imbrued,
  With increments of will
  Made strong, perceiving unattainment still
  From each new skill.


  Always the flawless beauty, always the chord
  Of the Overword,
  Dominant, pleading, sure,
  No truth too small to save and make endure.
  No good too poor!


  And since no mortal can at last disdain
  That sweet refrain,
  But lets go strife and care,
  Borne like a strain of bird notes on the air,
  The wind knows where;


  Some quiet April evening soft and strange,
  When comes the change
  No spirit can deplore,
  I shall be one with all I was before,
  In death once more.

© Bliss William Carman