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Frederik Paludan-Müller was a Danish poet, the third son of Jens Paludan-Müller and born in Kerteminde, on the Island of Fyn.
In 1819 his father was transferred to Odense, and Frederik began to attend the Latin school there. In 1828 he passed to the University of Copenhagen.
In 1832 he opened his poetical career with Four Romances, and a romantic comedy entitled Love at Court. This enjoyed a considerable success, and was succeeded in 1833 by Dandserinden ("The Dancing Girl").
Paludan-Müller was accepted by criticism without a struggle, and few
writers have excited less hostility. He was not, however, well inspired
in his lyrical drama of Amor and Psyche in 1834 nor in his Oriental tale of Zuleimasflugt ("Zuleima's Flight"), in 1835, in each of which he was too vividly influenced by Lord Byron. But he regained all that he had lost by his two volumes of poems in 1836 and 1838.
From 1838 to 1840 Paludan-Müller was making the grand tour in Europe and his genius greatly expanded; in Italy he wrote Venus,
a lyrical poem of extreme beauty. In the same year, 1841, he began to
publish a great work on which he had long been engaged and which he did
not conclude until 1848; this was Adam Homo, a narrative epic, satirical, modern and descriptive, into which Paludan-Müller wove all his variegated impressions of Denmark
and of love. It deals with the duality of human personality, the
emptiness of social ambition, and the redeeming force of selfless love.
This remains a classic of Danish poetical literature.
In 1844 he composed three enchanting idylls, Dryadens bryllup ("The Dryad's Wedding") Tithon ("Tithonus") and Abels Død
("The Death of Abel"). From 1850 a certain decline in the poet's
physical energy became manifest and he wrote less. His majestic drama of
Kalanus belongs to 1854. Then for seven years he kept silent. Paradiset ("Paradise") 1861; and Benedikt fra Nurcia
("Benedict of Nurcia") 1861; bear evidence of malady, both physical and
mental. Paludan-Müller wrote considerably after this, but never
recovered his early raptures, except in the very latest of all his
poems, the enchanting welcome to death, entitled Adonis.
The poet lived a very retired life, first in Copenhagen, then for many years in a cottage on the outskirts of the royal park of Fredensborg, and finally in a house in Ny Adelgade, Copenhagen, where he died on the 27th of December 1876.