High Noon at Los Alamos

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To turn a stone
with its white squirming
underneath, to pry the disc
from the sun’s eclipse—white heat
coiling in the blinded eye: to these malign 
necessities we come
from the dim time of dinosaurs
who crawled like breathing lava
from the earth’s cracked crust, and swung 
their tiny heads above the lumbering tons 
of flesh, brains no bigger than a fist
clenched to resist the white flash
in the sky the day the sun-flares
pared them down to relics for museums, 
turned glaciers back, seared Sinai’s
meadows black—the ferns withered, the swamps 
were melted down to molten mud, the cells 
uncoupled, recombined, and madly
multiplied, huge trees toppled to the ground, 
the slow life there abandoned hope,
a caterpillar stiffened in the grass.
Two apes, caught in the act of coupling, 
made a mutant child
who woke to sunlight wondering, his mother 
torn by the huge new head
that forced the narrow birth canal.

As if compelled to repetition 
and to unearth again
white fire at the heart of matter—fire
we sought and fire we spoke,
our thoughts, however elegant, were fire
from first to last—like sentries set to watch 
at Argos for the signal fire
passed peak to peak from Troy
to Nagasaki, triumphant echo of the burning 
city walls and prologue to the murders 
yet to come—we scan the sky
for that bright flash,
our eyes stared white from watching 
for the signal fire that ends
the epic—a cursed line
with its caesura, a pause
to signal peace, or a rehearsal
for the silence.

© Hugo Williams