Other info : Bibliography
Jan van Beers was Flemish poet born in Antwerp. He is usually referred to as "van Beers the elder" to distinguish him from his son, Jan van Beers(1852–1927), the painter.
Van Beers was essentially a Netherlander,
though politically a Belgian, expressing his thoughts in the same
language as any North Netherland writer. In fact, the poems of Jan van
Beers are perhaps more popular in the Netherlands than in Belgium, and
of many of them there exist more editions printed in the Netherlands
than in his political fatherland.
Van Beers started life as a teacher of Dutch language and literature, first at Mechelen, then at Lier,
and in 1860 was appointed a professor of both at the Athenaeum (high
school) in Antwerp, where he had also been a sub-librarian in the
communal library. Van Beers as a teacher was early in the field, with Hendrik Conscience, Willems and others, when the Flemish movement began. He composed a Dutch grammar
(1852), which, in enlarged editions, still holds the field, and a
volume of selections from Dutch authors, both books being so much
appreciated that the Belgian government made them text-books in the
Van Beers's historical poems, the principal of which is, perhaps, Jakob Van Maerlant
(Amsterdam, 1860), helped the Flemish revival in Belgium as powerfully
as his school-books. He is best known, however, as the writer of ballads
and songs. Jongelingsdroomen ("A Young Man's Dreams") first appeared at Antwerp and Amsterdam in 1853. These poems were followed by Levensbeelden ("Life Figures or Pictures," Amsterdam, 1858) and by Gevoel en Leven ("Feeling Living," Amsterdam, 1869). His Rijzende Blaren ("Rising Leaves") first made its appearance at Ghent and Rotterdam in 1883.
In the following year an edition de luxe of his poetry was published, adorned with pen-and-ink sketches by Jan van Beers the younger, and a popular edition of his collected poems was published at Ghent and Rotterdam in 1873 and 1884. Among the best known are De Blinde ("Blind"), De Zieke Jongeling ("Young and Doomed"), Bij 't Kerkportaal ("At the Church Porch"). Van Beers's poetry, full of glow and pathos, simple yet forcible, is somewhat akin to that of Longfellow.