Geronimo de Rada (Arbërisht: Jeronim de Rada; 1814 – 1903) was an Italian writer of Italo-Albanian literature. Of Arbëreshë descent he was the foremost figure of the Albanian National Awakening in 19th century Italy.
Born the son of a parish priest of Italo-Albanian Catholic Church in Macchia Albanese in the mountains of Cosenza,
De Rada attended the college of Saint Adrian in San Demetrio Corone.
Already imbued with a passion for his Albanian lineage, he began
collecting folklore material at an early age. In October 1834, in accordance with his father's wishes, he registered at the Faculty of Law of the University of Naples, but the main focus of his interests remained folklore and literature. It was in Naples
in 1836 that De Rada published the first edition of his best known
Albanian-language poem, the "Songs of Milosao", under the Italian title Poesie albanesi del secolo XV. Canti di Milosao, figlio del despota di Scutari (Albanian poetry from the 15th century. Songs of Milosao, son of the despot of Shkodra). He was soon forced to abandon his studies due to a cholera epidemic in Naples and returned home to Calabria. His second work, Canti storici albanesi di Serafina Thopia, moglie del principe Nicola Ducagino, Naples 1839 (Albanian historical songs of Serafina Thopia, wife of prince Nicholas Dukagjini), was seized by the Bourbon
authorities because of De Rada's alleged affiliation with
conspiratorial groups during the Italian Risorgimento. The work was
republished under the title Canti di Serafina Thopia, principessa di Zadrina nel secolo XV, Naples 1843 (Songs of Serafina Thopia, princess of Zadrina in the 15th century) and in later years in a third version as Specchio di umano transito, vita di Serafina Thopia, Principessa di Ducagino,
Naples 1897 (Mirror of human transience, life of Serafina Thopia,
princess of Dukagjin). His Italian-language historical tragedy I Numidi, Naples 1846 (The Numidians), elaborated half a century later as Sofonisba, dramma storico, Naples 1892 (Sofonisba, historical drama), enjoyed only modest public response. In the revolutionary year 1848, De Rada founded the newspaper L'Albanese d'Italia
(The Albanian of Italy) which included articles in Albanian. This
bilingual "political, moral and literary journal" with a final
circulation of 3,200 copies was the first Albanian-language periodical
Before Albania had become a political entity, it had already become a
poetic reality in the works of Geronimo De Rada. His vision of an
independent Albania grew in the second half of the nineteenth century
from a simple desire to a realistic political objective to which he was
De Rada was the harbinger and first audible voice of the Romantic movement
in Albanian literature, a movement which, inspired by his unfailing
energy on behalf of national awakening among Albanians in Italy and in
the Balkans, was to evolve into the romantic nationalism characteristic of the Rilindja
period in Albania. His journalistic, literary and political activities
were instrumental not only in fostering an awareness for the Arbëresh
minority in Italy but also in laying the foundations for an Albanian
The most popular of his literary works is the above-mentioned Canti di Milosao (Songs of Milosao), known in Albanian as Këngët e Milosaos,
a long romantic ballad portraying the love of Milosao, a fictitious
young nobleman in fifteenth-century Shkodra (Scutari), who has returned
home from Thessalonica.
Here, at the village fountain, he encounters and falls in love with
Rina, the daughter of the shepherd Kollogre. The difference in social
standing between the lovers long impedes their union until an earthquake
destroys both the city and all semblance of class distinction. After
their marriage abroad, a child is born. But the period of marital bliss
does not last long. Milosao's son and wife soon die, and he himself,
wounded in battle, perishes on a riverbank within sight of Shkodra.
De Rada also published the magazine Fiamuri Arbërit, whose first issue appeared on July 20, 1883 in Cosenza, Italy initially in Albanian in a Latin-based alphabet invented by de Rada, and later with translations in Italian.
The journal featured subjects regarding Albanian literature, politics
and history quickly became popular among Albanians and was widely