Louise Imogen Guiney

Bibliography

Other info : Furtherreading

WRITINGS:

• Songs at the Start, Cupples, Upham (Boston), 1884.
• Goose-Quill Papers, Roberts Brothers (Boston), 1885.
• The White Sail, and Other Poems, Ticknor (Boston), 1887.
• Brownies and Bogles, D. Lothrop (Boston), 1888.
• (Editor, with Alice Brown) A Summer in England. A Hand-Book for the Use of American Women, Women's Rest Tour Association (Boston), 1891.
• "Monsieur Henri": A Foot-Note to French History, Harper (New York City), 1892.
• A Roadside Harp: A Book of Verses, Houghton, Mifflin (Boston and New York City), 1893.
• A Little English Gallery, Harper (New York, NY), 1894.
• Nine Sonnets Written at Oxford, privately printed (Cambridge, MA), 1895.
• Lovers' Saint Ruth's and Three Other Tales, Copeland & Day (Boston), 1895.
• Patrins, To Which Is Added an Inquirendo into the Wit & Other Good Parts of His Late Majesty King Charles the Second, Copeland & Day (Boston), 1897.
• "England and Yesterday": A Book of Short Poems, Grant Richards (London), 1898.
• (Translator) Louise Morvan, The Secret of Fougereuse, Marlier, Callanan (Boston), 1898.
• (Translator) Saint Francis of Assisi, The Sermon to the Birds and the Wolf of Gubbio. Being Part of the XVI Chapter and the Entire XXI Chapter of the Fioetti de San Francesco, privately printed by Copeland & Day (Boston), 1898.
• The Martyr's Idyl, and Shorter Poems, Houghton, Mifflin (Boston and New York City), 1899.
• (Editor) Henry Vaughan, The Mount of Olives and Primitive Holiness Set Forth in the Life of Paulinus Bishop of Nola, Henry Frowde/Oxford University Press (London), 1902.
• Robert Emmet: A Survey of His Rebellion and His Romance, David Nutt (London), 1904.
• (Editor) Hurrell Froude, Memoranda and Comments, Methuen (London), 1904.
• (Editor and author of introduction) Thomas Stanley, His Original Lyrics, J. R. Tutin (Hull, England), 1907.
• Blessed Edward Campion, Macdonald & Evans (London), 1908, Benziger (New York City, Cincinnati, and Chicago), 1908.
• Happy Ending: The Collected Lyrics of Louise Imogen Guiney, Houghton, Mifflin (Boston and New York City), 1909, revised and enlarged, 1927.
• (Assistant editor to Thomas Whittemore) Lionel Johnson, Post-Limnium: Essays and Critical Papers, Elkin Mathews (London), 1912, Kennerly (New York, NY), 1912.
• (Editor and author introduction) Lionel Johnson Some Poems of Lionel Johnson, Newly Selected, Elkin Mathews (London), 1912.
• Letters of Louise Imogen Guiney, two volumes, edited by Grace Guiney, Harper (New York City and London), 1926.
• (Editor with Geoffrey Bliss, with final revisions by Edward J. O'Brien) Recusant Poets, Sheed & Ward (London), 1938, Sheed & Ward (New York City), 1939.
• Memories of an Old Girl, Moshassuck (Glenview, IL), 1999.

Author of memorial sketch of Thomas William Parsons in The Divine Comedy of Dante Alighieri Translated into English Verse, translated by Parsons, Houghton, Mifflin (Boston and New York City), 1893; "Martha Hilton" in Three Heroines of New England Romance, Their True Stories Herein Set Forth by Mrs. Harriet Prescott Spofford, Miss Louise Imogen Guiney, and Miss Alice Brown, Little, Brown (Boston), 1894; prefatory note in The House of Life by Dante Gabriel Rossetti, Copeland & Day (Boston), 1894; prelude and postlude in Robert Louis Stevenson: A Study by Alice Brown, Copeland & Day (Boston), 1895; memoir of Prosper Merimee in Carmen by Merimee, translated by Edmund Garrett, Little, Brown (Boston), 1896; introduction in James Clarence Morgan: His Selected Poems, Lamson Wolffe (New York, NY), 1897; biographical sketch and notes in Sohrab and Rustum and Other Poems by Matthew Arnold, Houghton, Mifflin (Boston, New York City, and Chicago), 1899; and "Knight Falstaff," "Tarpeia," "Moustache," "The Wild Ride," and "Paula's Epitaph" in A Library of American Literature from the Earliest Settlement to the Present Time, Volume 11, edited by Edmund Clarence Stedman and Ellen MacKay Hutchinson, Webster (New York, NY), 1900.