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Born in October 27, 1561 / Died in September 25, 1621 / United Kingdom / English

Furtherreading

Other info : Bibliography

FURTHER READINGS ABOUT THE AUTHOR

  • Josephine Roberts, "Recent Studies in Women Writers of Tudor England II: Mary Sidney, Countess of Pembroke," in Women in the Renaissance, edited by Kirby Farrell, Elizabeth H. Hageman, and Arthur F. Kinney (Amherst: University of Massachusetts Press, 1988), pp. 265-269.
  • Frances B. Young, Mary Sidney, Countess of Pembroke(London: David Nutt, 1912).
  • Margaret P. Hannay, Philip's Phoenix: Mary Sidney, Countess of Pembroke(New York: Oxford University Press, 1990).
  • Virginia Walcott Beauchamp, "Sidney's Sister as Translator of Garnier," Renaissance News, 10 (Spring 1957): 8-13.
  • Elaine Beilin, Redeeming Eve: Women Writers of the English Renaissance(Princeton: Princeton University Press, 1987), pp. 121-150.
  • Diane Bornstein, "The Style of the Countess of Pembroke's Translation of Philippe de Mornay's Discours de la vie et de la mort," in Silent but for the Word: Tudor Women as Patrons, Translators, and Writers of Religious Works, edited by Margaret P. Hannay (Kent, Ohio: Kent State University Press, 1985), pp. 126-148.
  • Michael G. Brennan, "The Date of the Countess of Pembroke's Translation of the Psalms," Review of English Studies, new series 33 (November 1982): 434-436.
  • Brennan, "Licensing the Sidney Psalms for the Press in the 1640s," Notes & Queries, 229 (September 1984): 304-305.
  • Brennan, Literary Patronage in the English Renaissance: The Pembroke Family(London: Routledge, 1988).
  • Brennan, "Nicholas Breton's The Passions of the Spirit and the Countess of Pembroke," Review of English Studies, 38 (May 1987): 221-227.
  • John Briley, "Mary SidneyiA 20th-Century Reappraisal," in Elizabethan and Modern Studies Presented to Professor Willem Schrickx, edited by J. P. Vander Motten (Ghent: Seminarie voor Engelse en Amerikaanse Literatuur, 1985), pp. 47-56.
  • John Buxton, Sir Philip Sidney and the English Renaissance(London: Macmillan, 1954), pp. 173-204.
  • T. S. Eliot, "Apology for the Countess of Pembroke," in his The Use of Poetry and the Use of Criticism(London: Faber & Faber, 1933), pp. 37-52.
  • Mary C. Erler, "Davies's Astraea and Other Contexts of the Countess of Pembroke's 'A Dialogue,'" Studies in English Literature, 30 (Winter 1990): 41-61.
  • Beth Wynne Fisken, "The Art of Sacred Parody in Mary Sidney's Psalmes," Tulsa Studies in Women's Literature, 8 (Fall 1989): 223-239.
  • Fisken, "Mary Sidney's Psalmes: Education and Wisdom," in Silent for the Word: Tudor Women as Patrons, Translators, and Writers of Religious Works, edited by Hannay (Kent, Ohio: Kent State University Press, 1985), pp. 166-183.
  • Fisken, "'To the Angell Spirit ...': Mary Sidney's Entry into the 'World of Words,'" in The Renaissance Englishwoman in Print: Counterbalancing the Canon, edited by Anne M. Haselkorn and Betty S. Travitsky (Amherst: University of Massachusetts Press, 1990), pp. 263-275.
  • Coburn Freer, "The Countess of Pembroke in a World of Words," Style, 5 (1971): 37-56.
  • Freer, "Mary Sidney, Countess of Pembroke," in Women Writers of the Renaissance and Reformation, edited by Katharina A. Wilson (Athens: University of Georgia Press, 1987), pp. 481-521.
  • Freer, Music for a King: George Herbert's Style and the Metrical Psalms(Baltimore: Johns Hopkins University Press, 1972), pp. 89-108.
  • Margaret P. Hannay, "'Do What Men May Sing': Mary Sidney and the Tradition of Admonitory Dedication," in Silent but for the Word: Tudor Women as Patrons, Translators, and Writers of Religious Works, edited by Hannay (Kent, Ohio: Kent State University Press, 1985), pp. 149-165.
  • Hannay, "Literary Reconstruction: Written Texts and Social Contexts of Aristocratic Englishwomen," in Attending to Women in the Renaissance, edited by Travitsky and Adele Seeff (Newark: University of Delaware Press, 1994), pp. 35-63.
  • Hannay, "'This Moses and This Miriam': The Countess of Pembroke's Role in the Legend of Sir Philip Sidney," in Sir Philip Sidney's Achievements, edited by M. J. B. Allen, Dominic Baker-Smith, and Arthur F. Kinney (New York: AMS Press, 1990), pp. 217-226.
  • Hannay, "'Unlock my lipps': The Miserere mei Deus of Anne Vaughan Lok and Mary Sidney Herbert, Countess of Pembroke," in Privileging Gender in Early Modern England, edited by John R. Brink (Kirksville, Mo.: Sixteenth-Century Journal Publishers, 1993), pp.19-36.
  • Pearl Hogrefe, Women of Action in Tudor England(Ames: Iowa State University Press, 1977), pp. 105-135.
  • Bent Juel-Jensen, "The Tixall Manuscript of Sir Philip Sidney's and the Countess of Pembroke's Paraphrase of the Psalms," Book Collector, 18 (Summer 1969): 222-223.
  • Dennis Kay, Melodious Tears: The English Funeral Elegy from Spenser to Milton(Oxford: Oxford University Press, 1990), pp. 58-62.
  • Noel J. Kinnamon, "A Note on Herbert's `Easter' and the Sidneian Psalms," George Herbert Journal, 1 (1978): 44-48.
  • Noel J. Kinnamon, "The Sidney Psalms: The Penshurst and Tixall Manuscripts," English Manuscript Studies, 2 (1990): 139-161.
  • Tina Krontiris, Oppositional Voices: Women as Writers and Translators of Literature in the English Renaissance(London: Routledge, 1992), pp. 69-73.
  • Mary Ellen Lamb, "The Countess of Pembroke and the Art of Dying," in Women in the Middle Ages and the Renaissance: Literary and Historical Perspectives, edited by Mary Beth Rose (Syracuse, N.Y.: Syracuse University Press, 1986), pp. 207-226.
  • Lamb, "The Countess of Pembroke's Patronage," English Literary Renaissance, 12 (Spring 1982): 162-179.
  • Lamb, Gender and Authorship in the Sidney Circle(Madison: University of Wisconsin Press, 1990).
  • Lamb, "The Myth of the Countess of Pembroke: The Dramatic Circle," Yearbook of English Studies, 11 (1981): 194-202.
  • Barbara Kiefer Lewalski, Protestant Poetics and the Seventeenth-Century Religious Lyric(Princeton: Princeton University Press, 1979), pp. 241-245, 275-276.
  • Steven W. May, The Elizabethan Courtier Poets: The Poems and Their Contexts(Columbia: University of Missouri Press, 1991).
  • Josephine A. Roberts, "Huntington Manuscript of Lady Mary Wroth's Play, Loves Victorie," Huntington Library Quarterly, 46 (Winter 1983): 156-174.
  • Jean Robertson, "Drayton and the Countess of Pembroke," Review of English Studies, new series 16 (1965): 49.
  • Kenneth Thorpe Rowe, "The Countess of Pembroke's Editorship of the Arcadia," PMLA, 54 (March 1939): 122-138.
  • Ernest Schanzer, "Antony and Cleopatra and the Countess of Pembroke's Antonius," Notes & Queries, 201 (April 1956): 152-154.
  • Louise Schleiner, Tudor and Stuart Women Writers(Bloomington: Indiana University Press, 1994).
  • Richard Todd, "'So Well Atyr'd Abroad': A Background to the Sidney-Pembroke Psalter and Its Implications for the Seventeenth-Century Religious Lyric," Texas Studies in Literature and Language, 29 (Spring 1987): 74-93.
  • Gary Waller, "The Countess of Pembroke and Gendered Reading," in The Renaissance Englishwoman in Print: Counterbalancing the Canon, edited by Haselkorn and Travitsky (Amherst: University of Massachusetts Press, 1990), pp. 327-345.
  • Waller, Mary Sidney, Countess of Pembroke: A Critical Study of Her Writings and Literary Milieu(Salzburg: University of Salzburg Press, 1979).
  • Waller, "'This Matching of Contraries': Calvinism and Courtly Philosophy in the Sidney Psalms," English Studies, 55 (February 1974): 22-31.
  • Franklin F. Williams Jr., "The Literary Patronesses of Renaissance England," Notes & Queries, 207 (October 1962): 364-366.
  • Alexander Maclaren Witherspoon, The Influence of Robert Garnier on Elizabethan Drama(New Haven: Yale University Press, 1924), pp. 84-95, 181-189.
  • Susanne Woods, Natural Emphasis: English Versification from Chaucer to Dryden(San Marino, Cal.: Huntington Library, 1984), pp. 169-175, 290-302.
  • Rivkah Zim, English Metrical Psalms: Poetry as Praise and Prayer, 1535-1601 (Cambridge: Cambridge University Press, 1987), pp. 185-210.