Nilmani Phookan poet from India was born on September 10, 1933 has 90 years. Poems were written mainly in Hindi language. Dominant movement is political.
Biography
Nilmani Phookan (Nilamani Phookan) is an Indian poet in Assamese language and an academic. His work replete with symbolism, is inspired by French symbolism and is representative of the genre in Assamese poetry. His notable works include Surya Henu Nami Ahe Ei Nodiyedi, Gulapi Jamur Lagna, Kobita.
Nilmani Phookan is considered Assam?s most distinguished living poet. Born in the village of Dergaon in 1933, he started writing poetry in the early 1950s. Inspired by the example of his precursors, Hem Barua, Amulya Barua and Maheswar Neog, he and his other contemporaries, Navakanta Barua and Ajit Barua, took to free verse, exploring and extending the possibilities of Assamese modernism. He has written thirteen volumes of poetry, and has won ten regional and national awards, including the Sahitya Akademi Award for Poetry in 1981 and the Padmashri from the Government of India in 1990. He joined the Arya Vidyapeeth College in Guwahati as a lecturer in 1964 and worked there until his retirement in 1992.
Phookan has been described as a ?sage-like presence? in Assamese literature. It is possible to see why. His canvas is vast, his imagination mythopoeic, his voice bardic, his concerns ranging from the political to the cosmic, from the contemporary to the primeval. The landscapes he evokes are epic and elemental: he speaks of fire and water, planet and star, forest and desert, man and rock, time and space, war and peace, life and death.
And yet, you find not merely a sage?s reflective detachment here, but urgency as well as anguish and a deep sense of loss. Most importantly, to my mind, the unapologetic preoccupation with the cosmic and existential does not lead to grandiosity or a resort to misty abstractions. For even while the poetry invokes generalities, it does not ignore the scorching particular that has always been such an integral part of the poet?s province. This is poetry that can speak of ?the meaning of death/ and the vacuity of living? and ?the mothers of five hundred million sick and starving children?, but it can also memorialise another more fragile moment: ?the yellow butterflies with wings spread on barbed wires?.
In the accompanying interview, Phookan speaks lyrically of the Assamese countryside, of the rich heritage of tribal myth and folklore, the rhythms of village life, all of which have helped shape his sensibility as a poet. He reasserts the centrality of poetry in ?helping man find his soul? - a role that takes on an altogether new urgency in a violent, trackless and progressively utilitarian world. Along with the impassioned defence of the poetic art, however, is the awareness of its insignificance in the larger scheme of things: poetry eventually remains, he maintains, ?Nothing more profound/ Than the chirping of the cricket?. ..
