Coquette [Among The Family Portraits.]

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I.

YES! there from out the gallery gloom,
Retaining still a flush of bloom,
I mark our bright ancestress glow--
The maiden Rose of long ago.
She lived in times of sumptuous dress,
And rich colonial stateliness;
But through the strong restraints of art
I seem to view her heaving heart,
As if a protest warm it made
'Gainst that stiff bodice of brocade,
While in her fair cheeks' deepening dyes,
Her lifted brows and roguish eyes,
Her swan-like neck and dimpled chin--
Cleft for small Loves to ambush in--

I can not fail (who could?) to see
All potent charms of coquetry--
The wiles whose glamour, swift and sure,
Smote hapless victims by the score;
And even now (although they be
Discerned in pictured phantasy)
Not all innocuous, but possessed
Of power to pierce the manly breast,
If frosted to its shivering core
By forty arctic years or more.
II.

Ah! many a gallant loved her well
In those old days! Her features tell
The world-wide story o'er again,
Of others' passion, her disdain;
Of hearts that spent their best to make
Her own more tender for love's sake,
Only in time to find, perchance,
Dull ending to a life's romance,
Since trivial natures are not stirred
Save by the lightly trivial word;
And much I fear, despite the fine
Rare beauty of each faultless line--
Her face, of gay insouciance, shows
No golden gulfs of pure repose
Deep in her inmost being shrined--
But shallow thoughts and purpose blind.
And yet who knows? My erring sight
May not have read its meanings right,
And something of ethereal grace
May lurk beneath that careless face,
Which masks with inconsiderate mirth
A soul not wholly wed to earth!
III.

Therefore, sweet flesh and blood, I trust
That, ere ye passed to senseless dust,
Your beauty played a worthier part--
The love-rôle of the loyal heart.
. . . . .

No answer comes; for time doth mar
Our records. Only, like a star
Scarce touched by vapors vague and chill,
Your gracious image haunts us still.
But none, alas! may truly guess
What fate befell your loveliness.

© Paul Hamilton Hayne