Samuel Daniel image
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Born in 1562 / Died in 1620 / United Kingdom / English

Furtherreading

Other info : Bibliography

FURTHER READINGS ABOUT THE AUTHOR

  • Harry Sellers, "A Bibliography of the Works of Samuel Daniel, 1585-1623: With an Appendix of Daniel's Letters," Proceedings and Papers of the Oxford Bibliographical Society, 2, part 1 (1927): 29-54.
  • Sellers, "Supplementary Note to 'A Bibliography of the Works of Samuel Daniel,'" Proceedings and Papers of the Oxford Bibliographical Society, 2, part 4 (1930): 341-342.
  • James L. Harner, Samuel Daniel and Michael Drayton: A Reference Guide (Boston: G. K. Hall, 1980).
  • R. E. Brettle, "Samuel Daniel and the Children of the Queen's Revels, 1604-5," Review of English Studies, 3 (April 1927): 162-168.
  • Geoffrey Creigh, "Samuel Daniel's Masque The Vision of the Twelve Goddesses," Essays and Studies by Members of the English Association, new series 24 (1971): 22-35.
  • Thomas Gardner, "'A Parodie! A Parodie!': Conjectures on the Jonson-Daniel Feud," in Lebende Antike: Symposion für Rudolf Sühnel, edited by Horst Meller and Hans-Joachim Zimmermann (Berlin: Schmidt, 1967), pp. 197-206.
  • W. W. Greg, "Hymen's Triumph and the Drummond MS.," Modern Language Quarterly (London), 6 (1903): 59-64.
  • Greg, Pastoral Poetry & Pastoral Drama: A Literary Inquiry, with Special Reference to the Pre-Restoration Stage in England (London: Bullen, 1906).
  • Russell E. Leavenworth, Daniel's Cleopatra: A Critical Study, Elizabethan & Renaissance Studies, no. 3 (Salzburg: Institut für Englische Sprache und Literatur, Universität Salzburg, 1974).
  • Kenneth Muir, "Elizabeth I, Jodelle, and Cleopatra," Renaissance Drama, new series 2 (1969): 197-206.
  • Arthur M. Z. Norman, "Daniel's The Tragedie of Cleopatra and Antony and Cleopatra," Shakespeare Quarterly, 9 (1958): 11-18.
  • Norman, "The Tragedie of Cleopatra and the Date of Antony and Cleopatra," Modern Language Review, 54 (January 1959): 1-9.
  • John Pitcher, "In those figures which they seem": Samuel Daniel's Tethys' Festival (Manchester: Manchester University Press, 1984).
  • Johanna Procter, "The Queenes Arcadia (1606) and Hymens Triumph (1615): Samuel Daniel's Court Pastoral Plays," in The Renaissance in Ferrara and Its European Horizons/Il Rinascimento a Ferrara e i suoi orizzonti europei, edited by J. Salmons and W. Moretti (Cardiff: University of Wales Press/Ravenna: Lapuccu, 1984), pp. 83-109.
  • Joan Rees, Samuel Daniel: A Critical and Biographical Study, Liverpool English Texts and Studies (Liverpool: Liverpool University Press, 1964).
  • Rees, "Samuel Daniel's Cleopatra and Two French Plays," Modern Language Review, 47 (January 1952): 1-10.
  • Ernest Schanzer, "Daniel's Revision of His Cleopatra," Review of English Studies, new series 8, no. 32 (1957): 375-381.
  • Cecil C. Seronsy, "The Doctrine of Cyclical Recurrence and Some Related Ideas in the Works of Samuel Daniel," Studies in Philology, 54 (July 1957): 387-407.
  • Seronsy, Samuel Daniel (New York: Twayne, 1967).
  • Seronsy, "Well-Languaged Daniel: A Reconsideration," Modern Language Review, 52 (October 1957): 481-497.
  • Pierre Spriet, Samuel Daniel (1563-1619): Sa vieson oeuvre, Etudes Anglaises, no. 29 (Paris: Didier, 1968).
  • Brents Stirling, "Daniel's Philotas and the Essex Case," Modern Language Quarterly, 3 (December 1942): 583-594.
  • Ernest William Talbert, The Problem of Order: Elizabethan Political Commonplaces and an Example of Shakespeare's Art (Chapel Hill: University of North Carolina Press, 1962).
  • G. A. Wilkes, "Daniel's Philotas and the Essex Case: A Reconsideration," Modern Language Quarterly, 23 (1962): 233-242.