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The Abencerrage : Canto III.

© Felicia Dorothea Hemans

Onward their slow and stately course they bend
To where the Alhambra's ancient towers ascend,
Reared and adorned by Moorish kings of yore,
Whose lost descendants there shall dwell no more.

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The World That All Contains

© Fulke Greville

THE world, that all contains, is ever moving;
The stars within their spheres forever turn'd;
Nature, the queen of change, to change is loving,
And form to matter new is still adjourn'd.

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Hate

© Edgar Albert Guest

They say we must not hate, nor fight in hate.

I've thought it over many a solemn hour,

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In The Public Library

© Lesbia Harford

Standing on tiptoe, head back, eyes and arm
Upraised, Kate groped to reach the higher shelf.
Her sleeve slid up like darkness in alarm
At gleam of dawn. Impatient with herself

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Naples And Venice

© Richard Monckton Milnes


Thou, who to that lofty terrace, lov'st on summer--eve to go,
Tell me, Poet! what Thou seest,--what Thou hearest, there below!

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A Girl’s Day Dream And Its Fulfilment

© Rosanna Eleanor Leprohon

“Ah! mother it once sufficed thy child
To cherish a bird or flow’ret wild;
To see the moonbeams the waters kiss,
Was enough to fill her heart with bliss;
Or o’er the bright woodland stream to bow,
But these things may not suffice her now.”

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Sir Hornbook

© Thomas Love Peacock

O'er bush and briar Childe Launcelot sprung
 With ardent hopes elate,
And loudly blew the horn that hung
 Before Sir Hornbook's gate.

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Envy

© Charles Lamb

This rose-tree is not made to bear
The violet blue, nor lily fair,
 Nor the sweet mignonette:
And if this tree were discontent,
Or wished to change its natural bent,
 It all in vain would fret.

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Courage, Courage, Courage!

© Edgar Albert Guest

When the burden grows heavy, and rough is the way,
When you falter and slip, and it isn't your day,
And your best doesn't measure to what is required,
When you know in your heart that you're fast growing tired,
With the odds all against you, there's one thing to do:
That is, call on your courage and see the thing through.

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Orlando Furioso Canto 11

© Ludovico Ariosto

ARGUMENT

Assisted by the magic ring she wears,

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Moore

© Denis Florence MacCarthy

He sings the heroic tales of old
When Ireland yet was free,
Of many a fight and foray bold,
And raid beyond the sea.

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After The Fire

© Oliver Wendell Holmes

WHILE far along the eastern sky

I saw the flags of Havoc fly,

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The Wrongs Of Africa: Part The Second

© William Roscoe

FAIR is this fertile spot, which God assign'd

As man's terrestrial home; where every charm

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The Bell-Founder Part I - Labour And Hope

© Denis Florence MacCarthy

In that land where the heaven-tinted pencil giveth shape to the
splendour of dreams,
Near Florence, the fairest of cities, and Arno, the sweetest of streams,
'Neath those hills whence the race of the Geraldine wandered in ages

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The Princes' Quest - Part the Tenth

© William Watson

That night within the City of Youth there stood

Musicians playing to the multitude

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Don Juan: Canto The Thirteenth

© George Gordon Byron

I now mean to be serious;--it is time,

  Since laughter now-a-days is deem'd too serious.

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Imelda

© Felicia Dorothea Hemans

……………….Sometimes
The young forgot the lessons they had learnt,
And lov'd when they should hate, like thee, Imelda! ~ Italy, a Poem

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The Miracle Of The Corn

© Padraic Colum

SCENE: The interior of FARDORROUGHA'S house. The door at back R.; the hearth L.; the window R. is only conventionally represented.
What is actually shown is a bin for corn (corn in the sense of any kind of grain, as the word is used in Ireland the breadstuff and the symbol of fertility), shelves with vessels, benches, and a shrine. The bin projects from back C.; the shelves
with vessels are each side of the bin; the shrine is R.; it holds a small statue of the Blessed Virgin, and a rosary of large beads hangs from it; the benches are R. and L. One is at the conventional fireplace, and the other is down from the conventional door.
All the persons concerned in the action are on the scene when it opens, and they remain on the scene. They only enter the action when they go up to where the bin is. Going back to the places they had on the benches takes them out of the action.
On the bench near the hearth sit the people of FARDORROUGHA'S household FARDORROUGHA, SHEILA, PAUDEEN, AISLINN. On the bench near the door sit the strangers three women, one of whom has a child with her, and SHAUN o' THE BOG. The people are dressed in greys and browns, and brown is the  colour of the interior. The three women and SHAUN o' THE BOG are poorly dressed; the women are barefooted. PAUDEEN is dressed rudely, and sandals of hide are bound across his feet. FARDORROUGHA,
SHEILA, and AISLINN are comfortably dressed.

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At The Burns Centennial

© James Russell Lowell

I

A hundred years! they're quickly fled,