Richard Crashaw

Furtherreading

Other info : Bibliography

• John R. Roberts, Richard Crashaw: An Annotated Bibliography of Criticism, 1632-1980 (Columbia: University of Missouri Press, 1985).
• Roberts, "A Selected Bibliography of Modern Crashaw Studies," in New Perspectives on the Life and Art of Richard Crashaw, edited by John R. Roberts (Columbia & London: University of Missouri Press, 1990).
• Robert Martin Adams, "Taste and Bad Taste in Metaphysical Poetry: Richard Crashaw and Dylan Thomas," Hudson Review, 8 (Spring 1955): 61-77; reprinted in Seventeenth-Century English Poetry: Modern Essays in Criticism, edited by William R. Keast (New York: Oxford University Press, 1962).
• Alfred Alvarez, "Metaphysical Rhetoric: Richard Crashaw," in Alvarez's The School of Donne (London: Chatto & Windus, 1961; New York: Pantheon, 1962).
• Joan Bennett, "Richard Crashaw," in her Five Meta-physical Poets: Donne, Herbert, Vaughan, Crashaw, Marvell (Cambridge: Cambridge University Press, 1963), pp. 90-108.
• Marc F. Bertonasco, Crashaw and the Baroque (University: University of Alabama Press, 1971).
• Steven Blakemore, "The Name Made Flesh: Crashaw's Celebration of 'The Name Above Every Name,'" Concerning Poetry, 17 (Spring 1984): 63-77.
• Vera J. Camden, "Richard Crashaw's Poetry: The Imagery of Bleeding Wounds," American Images, 40 (Fall 1983): 257-279.
• Robert M. Cooper, An Essay on the Art of Richard Crashaw, edited by James Hogg, Salzburg Studies in English Literature, Elizabethan & Renaissance Studies no. 102 (Salzburg: Universität Salzburg, 1982).
• Cooper, ed., Essays on Richard Crashaw, edited by Hogg, Salzburg Studies in English Literature, Elizabethan & Renaissance Studies no. 83 (Salzburg: Universität Salzburg, 1979).
• Walter R. Davis, "The Meditative Hymnody of Richard Crashaw," English Literary History, 50 (Spring 1983): 107-129.
• T. S. Eliot, "Note on Richard Crashaw," in Eliot's For Lancelot Andrewes: Essays on Style and Order (London: Faber & Gwyer, 1928), pp. 117-125.
• Frank Fabry, "Richard Crashaw and the Art of Allusion: Pastoral in a 'Hymn to ... Sainte Teresa,'" English Literary Renaissance, 16 (1986): 373-382.
• Patrick Grant, "Richard Crashaw and the Capucins: Images and the Force of Belief," in Grant's Images and Ideas in the Literature of the English Renaissance (Amherst: University of Massachusetts Press, 1979), pp. 89-128.
• Elizabeth H. Hageman, "Calendrical Symbolism and the Unity of Crashaw's Carmen Deo Nostro," Studies in Philology, 77 (1980): 161-179.
• Thomas F. Healy, Richard Crashaw, Medieval and Renaissance Authors, 8 (Leiden: Brill, 1986).
• Anthony Low, "Richard Crashaw: Sensible Affection," in Low's Love's Architecture: Devotional Modes in Seventeenth-Century English Poetry (New York: New York University Press, 1978), pp. 116-159.
• Leah Sinanoglou Marcus, "The Poet as Child: Herbert, Herrick, and Crashaw," in Marcus's Childhood and Cultural Despair: A Theme and Variations in Seventeenth-Century Literature (Pittsburgh: University of Pittsburgh Press, 1978), pp. 94-152.
• L. C. Martin, Introduction to The Poems, English, Latin, and Greek, of Richard Crashaw, edited by Martin (Oxford: Clarendon Press, 1927), pp. xv-xlii.
• Louis L. Martz, "Richard Crashaw: Love's Architecture," in Martz's The Wit of Love: Donne, Carew, Crashaw, Marvell (Notre Dame Press, 1969), pp. 113-147.
• Michael McCanles, "The Rhetoric of the Sublime in Crashaw's Poetry," in The Rhetoric of Renaissance Poetry from Wyatt to Milton, edited by Thomas O. Sloan and Raymond B. Waddington (Berkeley, Los Angeles & London: University of California Press, 1974), pp. 189-211.
• Paul A. Parrish, "The Feminizing of Power: Crashaw's Life and Art," in "The Muses Common-Weale": Poetry and Politics in the Seventeenth-Century, edited by Claude J. Summers and Ted-Larry Pebworth (Columbia: University of Missouri Press, 1988), pp. 148-162.
• Robert T. Petersson, The Art of Ecstasy: Teresa, Bernini and Crashaw (London: Routledge & Kegan Paul, 1970; New York: Atheneum, 1970).
• Mario Praz, "The Flaming Heart: Richard Crashaw and the Baroque," in Praz's The Flaming Heart: Essays on Crashaw, Machiavelli, and Other Studies in the Relations between Italian and Renaissance Literature from Chaucer to T. S. Eliot (Garden City, N.Y.: Doubleday, 1958).
• Allan Pritchard, "Puritan Charges Against Crashaw and Beaumont," Times Literary Supplement, 2 July 1964, p. 578.
• Maureen Sabine, "Crashaw and the Feminine Animus: Patterns of Self-Sacrifice in Two of His Devotional Poems," John Donne Journal, 4 (1985): 69-94.
• Sabine, Feminine Engendered Faith: The Poetry of John Donne and Richard Crashaw (London: Macmillan, 1992).
• Ruth C. Wallerstein, Richard Crashaw: A Study in Style and Poetic Development, University of Wisconsin Studies in Language and Literature no. 37 (Madison: University of Wisconsin Press, 1935).
• Austin Warren, Richard Crashaw: A Study in Baroque Sensibility (University: Louisiana State University Press, 1939).
• E. I. Watkin, "Richard Crashaw" and "William Crashaw and His Son," in Watkin's Poets and Mystics (New York & London: Sheed & Ward, 1953), pp. 136-163, 164-187.
• Helen C. White, "Richard Crashaw: Little Gidding to Rome" and "Richard Crashaw: 'Poet and Saint,'" in White's The Metaphysical Poets: A Study in Religious Experience (New York: Macmillan, 1936), pp. 202-229, 230-258.
• George Walton Williams, Image and Symbol in the Sacred Poetry of Richard Crashaw (Columbia: University of South Carolina Press, 1963).
• George Williamson, The Donne Tradition: A Study in English Poetry from Donne to the Death of Cowley (Cambridge: Harvard University Press, 1930).
• R. V. Young, Jr., Richard Crashaw and the Spanish Golden Age, Yale Studies in English no. 191 (New Haven & London: Yale University Press, 1982).