Future poems

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The Butterfly

© Arun Kolatkar

There is no story behind it.
It is split like a second.
It hinges around itself.

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Australia's First Great Poet

© Charles Harpur

HIS lot how glorious whom the must shall name

Her first high-priest in this bright southern clime!

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The Prophets

© Nikolai Stepanovich Gumilev

There are the modern prophets here,
Though altars totally are felt,  
Their eyes are very deep and clear –
In them, the flame of future set.

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The Prophecy Of Famine

© Charles Churchill

  Still have I known thee for a silly swain;
Of things past help, what boots it to complain? 
Nothing but mirth can conquer fortune's spite;
No sky is heavy, if the heart be light:
Patience is sorrow's salve: what can't be cured,
So Donald right areads, must be endured.

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Indignation Of A High-Minded Spaniard

© William Wordsworth

WE can endure that He should waste our lands,

Despoil our temples, and by sword and flame

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The Lady of the Lake: Canto III. - The Gathering

© Sir Walter Scott

I.
Time rolls his ceaseless course. The race of yore,
  Who danced our infancy upon their knee,
And told our marvelling boyhood legends store

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In February

© Alice Meynell

To all the miles and miles of unsprung wheat,
And to the Spring waiting beyond the portal,
 And to the future of my own young art,
And, among all these things, to you, my sweet,
My friend, to your calm face and the immortal
 Child tarrying all your life-time in your heart.

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Elegiac Feelings American

© Gregory Corso

Aye, what happened to you, dear friend, compassionate friend,
is what is happening to everyone and thing of
planet the clamorous sadly desperate planet now
one voice less. . . expendable as the wind. . . gone,
and who'll now blow away the awful miasma of
sick, sick and dying earthflesh-soul America

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Scenes

© George Borrow

Observe ye not yon high cliff’s brow,

Up which a wanderer clambers slow,

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In Praise Of Johnny Applseed

© Vachel Lindsay

  But he left their wigwams and their love.
  By the hour of dawn he was proud and stark,
  Kissed the Indian babes with a sigh,
  Went forth to live on roots and bark,
  Sleep in the trees, while the years howled by--

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The Size

© George Herbert

  Content thee, greedie heart.
Modest and moderate joyes to those, that have
Title to more hereafter when they part,
  Are passing brave.
  Let th' upper springs into the low
  Descend and fall, and thou dost flow.

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New Morality

© George Canning


But say,-indignant does the Muse retire,
Her shrine deserted, and extinct its fire?
No pious hand to feed the sacred flame,
No raptured soul a Poet's charge to claim.

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To A Friend

© Joseph Rodman Drake

YES, faint was my applause and cold my praise,

Though soul was glowing in each polished line;

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A Love By The Sea

© William Ernest Henley

Out of the starless night that covers me,
(O tribulation of the wind that rolls!)
Black as the cloud of some tremendous spell,
The susurration of the sighing sea
Sounds like the sobbing whisper of two souls
That tremble in a passion of farewell.

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Maternal Grief

© William Wordsworth

DEPARTED Child! I could forget thee once
Though at my bosom nursed; this woeful gain
Thy dissolution brings, that in my soul
Is present and perpetually abides

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Lara. A Tale

© George Gordon Byron

Proud Otho on the instant, reddening, threw
His glove on earth, and forth his sabre flew.
"The last alternative befits me best,
And thus I answer for mine absent guest."

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Spring On Mattagmi

© Duncan Campbell Scott

Far in the east the rain-clouds sweep and harry,

  Down the long haggard hills, formless and low,

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'The Aeneid of Virgil: Book 6

© Publius Vergilius Maro

HE said, and wept; then spread his sails before  

The winds, and reach’d at length the Cumæan shore:  

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Road Report by Kurt Brown: American Life in Poetry #32 Ted Kooser, U.S. Poet Laureate 2004-2006

© Ted Kooser

Descriptions of landscape are common in poetry, but in “Road Report” Kurt Brown adds a twist by writing himself into “cowboy country.” He also energizes the poem by using words we associate with the American West: Mustang, cactus, Brahmas. Even his associations—such as comparing the crackling radio to a shattered rib—evoke a sense of place.


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Fontana Di Trevi

© Alfred Austin

Why do I sit within the spell
Of eyes like thine, who oft have known
What 'tis in Beauty's gaze to dwell,
And then-to feel alone:
Back be remitted to my cell,
Too lately near a throne?